Natalie Curtis Burlin Center for American Culture Studies

Home

  1. Introduction

  2. Preserving Indian Culture

  3. Angel DeCora and Indian Art

  4. Arizona With Roosevelt

  5. Busoni's Indian Fantasy

  6. African-
    American Music

  7. Defending American Folk Music

  8. Natalie's Legacy

  9. Endnotes

  10. Readings

Notes

1 Curtis, Natalie. "The Perpetuating of Indian Art." The Outlook, 22 October 1913: 623.

2 Hamm, Charles. Music in the New World (New York: W.W. Norton and Company, 1983), 9.

3 Curtis-Burlin, Natalie. Letter to George Foster Peabody, 16 October 1921.

4 Adams, Elbridge. Text of address given at Hampton Institute, 31 January 1926. "Natalie Curtis." The Southern Workman, March 1926: 134.

5 "Curtis - Hopi." Cylinder no. 3711, Archives of Traditional Music, Indiana University, Bloomington, Indiana. Depositor: American Museum of Natural History, New York, New York, Accession number: 54-118-F.

6 Curtis, Natalie. "The Perpetuating of Indian Art," 632.

7 Curtis, Natalie. The Indians' Book (New York: Dover Publications, 1968), 480-481.

8 Curtis, Natalie. "An American Indian Artist." The Outlook, 14 January 1920: 64-65.

9 Curtis, Natalie. "Theodore Roosevelt in Hopi-Land - Another Personal Reminiscence." The Outlook, 17 September 1919.

10 Curtis. The Indians' Book, x.

11 Ibid., xxii.

12 Curtis, Natalie. "Busoni's Indian Fantasy." The Southern Workman, October 1915: 538-544.

13 Curtis, Natalie. "The Negro's Contribution to the Music of America: The Larger Opportunity of the Colored Man of Today." The Craftsman, March 1913: 664.

14 Curtis, Natalie. The Deer Dance. A Pueblo Indian Legend-Dance. 1918.

15 Sandler, Irving. Paul Burlin (New York: The American Federation of Arts, 1962), 6, 7.

16 Petersen, Martin E. "Alice Ellen Klauber (May 19, 1871-July 5, 1951): San Diego's First Lady of the Arts." Paper presented to The Wednesday Club, San Diego, California, 8 February 1984.

17 Curtis-Burlin, Natalie. Letter to Peabody, 16 October 1921.

18 Curtis-Burlin, Natalie. "Recording for Posterity the Music of Primitive Humanity." Musical America, 18 March 1922: 3, 38.

19 Schindler, Kurt. Letter to Elbridge Adams, 29 January 1926.

20 Curtis, George D. Unpublished brief biography of Natalie Curtis, 23 November 1957.

21 Roosevelt, Theodore. "The Hopi Snake Dance." The Outlook, 18 October 1913: 365.

22 Babcock, Barbara A. and Nancy J. Parezo. Daughters of the Desert - Women Anthropologists and the Native American Southwest, 1880-1 980 - An Illustrated Catalog (Albuquerque: University of New Mexico Press, 1988), 1-5.

23 Curtis, Natalie. "A Visit to Craftsman Farms: The Study of an Educational Ideal." The Craftsman, September 1910: 638.

24 Haywood, Charles. "Natalie Curtis (Burlin)." In Vol. 1, The New Grove Dictionary of American Music (New York: Macmillan, 1986).

25 Curtis, Natalie. "The People of the Totem-Poles: Their Art and Legends." The Craftsman, September 1909: 617-620.

26 Simmons, Marc. "History of the Pueblos Since 1821." In Vol. 9, Handbook of North American Indians, edited by W.C. Sturtevant (Washington: Smithsonian Institution, 1979), 218-220.

27 Curtis, Natalie. "Value of Music School Settlements in Cities." The Craftsman, December 1912: 286.

28 Grainger, Percy. Transcript of broadcast over WEVD, New York, 20 June 1933: 3.

29 Curtis-Burlin, Natalie. Book 2, Negro Folk-Songs (New York: G. Schirmer, 1918), 32.

30 Natalie Curtis." In The Southern Workman, March 1926: 127-140.

31 Curtis, "Recording for Posterity," 3.

 

 

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